Well, Shakespeare, He’s in the Alley

Scott Newstok, author of “How to Think Like Shakespeare,” on the amazing talents that helped Bob Dylan and James Baldwin do just that.

Bob Dylan Mural by Eduard Kobra, Minneapolis, MN (photo by Sharon Mollerus)

* This piece was featured in Substack Reads, a weekly roundup of the best writing, ideas and art from the world of Substack. Hats off to Scott Newstok and TFP! (Except for you, Bob.)

By Scott Newstok

Many have chronicled the Shakespearean echoes across Dylan’s career, whether nodding to play titles (Tempest), characters (Ophelia in “Desolation Row”), phrases (“Murder Most Foul,” from Hamlet), or more general inspiration (“I’ve been trying for years to come up with songs that have the feeling of a Shakespearean drama”). 

But as both a teacher of Shakespeare and a lifelong Dylan fan looking forward to The Philosophy of Modern Song, Dylan’s first book since his 2016 Nobel Prize in Literature, I remain most fascinated by his invocations of Shakespeare’s artistic process — championing the poet’s freedom to create from any source whatsoever. 

In response to 2012 accusations of plagiarism, Dylan reminded an interviewer th…